Rex King is back! And Phantom at the Feast is available from your favourite bookshop from today…
We’re all thrilled by the two early reviews:
Here’s something completely different. White’s epic police thriller sports a complex and engrossing plot, revolving around the many secrets held by former undercover cop Rex King, and particularly his involvement in the Miners’ Strike, all complicated by the appearance of a daughter he never knew he had. White combines all this, though, with a playful love of digression. Each chapter includes all the solutions to a quick crossword, along with a cornucopia of fascinating trivia. — The Best New Fiction, Mail on Sunday
This is not your average thriller, this is your exceptional experimental crime novel. For Tony White to write a sequel to The Fountain in the Forest, to merge the avant-garde with the whodunnit . . . is to rub out much of what has gone before in crime fiction. The past haunts the book, the London of Chris Petit’s Robinson or the multi-layered, mythic ruins of Michael Moorcock’s Mother London, or the time-shifting echoes of Iain Sinclair’s White Chappell, Scarlet Tracings.Phantom at the Feast – like London – is built on top of its own ghosts . . . Like all great crime novels, the truth is not a revelation, it is a gradual calcification of options and the sovereignty of facticity. Phantom at the Feast is a site of resistance combatting the dystopian horizon of the AI literary industry . . . Against this algorithmic flattening, the novel – and this novel in particular – stands as a site of stubborn, human friction. — 3am Magazine
Tony White ‘Crosswords and Constraints: notebooks plans and ephemera from the writing of the novel Phantom at the Feast’, Matt’s Gallery, archive on the mezzanine space, exhibition view. Photograph Jonathan BassettTony White ‘Crosswords and Constraints: notebooks plans and ephemera from the writing of the novel Phantom at the Feast’, Matt’s Gallery, archive on the mezzanine space, exhibition view. Photograph Jonathan BassettTony White ‘Crosswords and Constraints: notebooks plans and ephemera from the writing of the novel Phantom at the Feast’, Matt’s Gallery, archive on the mezzanine space, exhibition view (detail). Photograph Jonathan BassettTony White ‘Crosswords and Constraints: notebooks plans and ephemera from the writing of the novel Phantom at the Feast’, Matt’s Gallery, archive on the mezzanine space, exhibition view (detail). Photograph Jonathan BassettTony White ‘Crosswords and Constraints: notebooks plans and ephemera from the writing of the novel Phantom at the Feast’, Matt’s Gallery, archive on the mezzanine space, exhibition view. Photograph Jonathan BassettTony White ‘Crosswords and Constraints: notebooks plans and ephemera from the writing of the novel Phantom at the Feast’, Matt’s Gallery, archive on the mezzanine space, exhibition view (detail). Photograph Jonathan BassettTony White ‘Crosswords and Constraints: notebooks plans and ephemera from the writing of the novel Phantom at the Feast’, Matt’s Gallery, archive on the mezzanine space, exhibition view. Photograph Jonathan Bassett
Riley is the Muriel Bradbrook Official Fellow in English Literature at Girton College, Cambridge.
Here’s a taster from Riley’s intro:
All too easily we take ‘experiment’ and ‘experimental’ to mean a certain kind of art – rarefied, obtuse, difficult for its own sake and thus distanced from the world and its concerns. White’s writing, particularly the epic scope of Phantom at the Feast is the exact of opposite of this. It’s bound up with an intimate knowledge of genre fiction, and the application of Oulipian techniques is not there to flummox, but to both power the creative engine of the writing and furnish the novel with a very particular type of historical and social material. It is as if White has taken an archaeological sounding of his chosen period and then put it to work, brilliantly, in the novel’s wider narrative.
Installation view, Tony White, “Crosswords and constraints: notebooks, plans and ephemera from the writing of the novel Phantom at the Feast” Matt’s Gallery, London. Vitrine 1 detail, Tony White, “Crosswords and constraints: notebooks, plans and ephemera from the writing of the novel Phantom at the Feast” Matt’s Gallery, London.
I’m delighted that my guests on Literature Live on Resonance 104.4fm this coming 13 July at 8:00 pm are M.H. Ayinde and Mahmud El Sayed, for a Future Worlds Prize special. I can’t wait to talk about all things scifi and fantasy, and hear some short readings from these two brilliant and award-winning authors. Tune in to Resonance 104.4fm in London, online, or via the Radioplayer app and join us!
We had a launch party for Phantom at the Feast at Matt’s Gallery, London – on one of the hottest nights of the year. (Photos by Sarah Such except where indicated.)
Signing team, with our first copy of the evening sold as soon as the doors opened!Tony with L Jamie Hodder-Williams of Bedford Square Publishers, R Audrey from Birkbeck University of London Creative Writing MA.Tony with Bedford Square press officer ClaudiaA great crowd listening to BSP editor-at-large and crime fiction legend Maxim Jakubowski’s incredible speechTony with artist Hilary LloydTony with (L) Tim Dixon of Matt’s Gallery, and Cathy Naden of Forced EntertainmentMore signing (Photo: Anne Coates)
It was such a great pleasure to go and sign a pile of copies of Phantom at the Feast at Foyles Charing Cross Road, London. I worked at Foyles (in the former CXR shop a few steps up the road) in 1989 when I first moved to London — happy days!
You’ll find the signed copies of Phantom at the Feast on the ‘Foyles Favourites’ table display on the ground floor, as well as upstairs in the Crime Fiction section! Thanks to Martin and Scott for inviting me in — great to finally meet you Scott!
It was a great pleasure to visit lovely Barnes Bookshop in South West London, to sign some copies of my new novel Phantom at the Feast, especially as it’s #indiebookshopweek this week!
I’ll be signing copies in a few more bookshops in the coming days and weeks. I’ll post a photo where I can, just in case they’re in a bookshop near you!
18 June is the anniversary of the Battle of Orgreave – a pivotal moment in the Miners’ Strike of 1984–85, and perhaps in UK policing and society generally, too.
In the early summer of 1984, 8,000 miners and supporters gathered to picket a coke works in South Yorkshire. They were met by a force of 6,000 police officers
To mark the anniversary, and on publication day, here are five books about the strike that I can wholeheartedly recommend if you want to find out more, including maybe one surprise!
From a Rock to a Hard Place: Memories of the 1984/85 Miners’ Strike, by Beverley Trounce
Trounce was a librarian in a mining town, and it shows. She pulls together illuminating stories from striking miners, women’s action groups, the children of miners, and Orgreave photographer John Harris, whose iconic photo of a mounted policeman came to symbolise not just the Battle of Orgreave but the Strike: ‘The cop on horseback was coming towards them, baton raised, so I click-clicked. That was it.’ Harris is also frank on the risks, from both sides, of being identified with a mistrusted media.
From a Rock to a Hard Place, Beverley Trounce (History Press, £14.99)
GB84, by David Peace
This propulsive and poetic novel is the logical extension to Peace’s ground-breaking Red Riding Quartet, recasting the Miners’ Strike as a Gothic, Yorkshire noir. Peace uses his forceful, incantatory, dub-influenced style to map webs of corruption and secret state surveillance, all threaded through with a rhythmic beat and subliminal echoes of post-punk, industrial music and the pop charts.
GB84, David Peace, (Faber and Faber, £10.99)
Backbone of the Nation: Mining Communities and the Great Strike of 1984-85, by Robert Gildea
An exceptional work of oral history, Gildea gathers dozens of intelligent and informative accounts from miners and their families from every one of the UK’s former coal fields. Together their voices build a complex picture of the strike, its impact, and historical background from a time when, astonishingly, at the coal industry’s peak in 1913, ‘one in every ten of the country’s male workers was a miner.’
Backbone of the Nation, Robert Gildea (Yale University Press, £11.99)
English Civil War Part II: Personal accounts of the 1984–85 miners’ strike, by Jeremy Deller
Published to accompany artist Jeremy Deller’s bold 2001 in-situ re-enactment of the Battle of Orgreave with a cast of hundreds of original participants and Sealed Knot societies. Deller’s richly illustrated digest of papers, clippings, photos, badges and ephemera is also worth seeking out for its many insightful accounts, including this on strike-breaking strategies: ‘Every pit had a pit idiot, so the Coal Board started with them.’
English Civil War Part II, Jeremy Deller (Artangel, second-hand price varies)
Freak Out the Squares: Life in a Band Named Pulp, by Russell Senior
Senior joined Pulp in 1983, making music on the margins of the Sheffield scene in the so-called ‘People’s Republic of South Yorkshire’ at a moment when creativity and conflict converged. His memoir evokes a time when Peel sessions, politics, flyposting pub gigs – and joining the picket lines at Orgreave – were simply part of a radical and committed daily life.
Freak Out the Squares, Russell Senior (Aurum, prices and formats vary)
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