Rex King is back! And Phantom at the Feast is available from your favourite bookshop from today…
We’re all thrilled by the two early reviews:
Here’s something completely different. White’s epic police thriller sports a complex and engrossing plot, revolving around the many secrets held by former undercover cop Rex King, and particularly his involvement in the Miners’ Strike, all complicated by the appearance of a daughter he never knew he had. White combines all this, though, with a playful love of digression. Each chapter includes all the solutions to a quick crossword, along with a cornucopia of fascinating trivia. — The Best New Fiction, Mail on Sunday
This is not your average thriller, this is your exceptional experimental crime novel. For Tony White to write a sequel to The Fountain in the Forest, to merge the avant-garde with the whodunnit . . . is to rub out much of what has gone before in crime fiction. The past haunts the book, the London of Chris Petit’s Robinson or the multi-layered, mythic ruins of Michael Moorcock’s Mother London, or the time-shifting echoes of Iain Sinclair’s White Chappell, Scarlet Tracings.Phantom at the Feast – like London – is built on top of its own ghosts . . . Like all great crime novels, the truth is not a revelation, it is a gradual calcification of options and the sovereignty of facticity. Phantom at the Feast is a site of resistance combatting the dystopian horizon of the AI literary industry . . . Against this algorithmic flattening, the novel – and this novel in particular – stands as a site of stubborn, human friction. — 3am Magazine
18 June is the anniversary of the Battle of Orgreave – a pivotal moment in the Miners’ Strike of 1984–85, and perhaps in UK policing and society generally, too.
In the early summer of 1984, 8,000 miners and supporters gathered to picket a coke works in South Yorkshire. They were met by a force of 6,000 police officers
To mark the anniversary, and on publication day, here are five books about the strike that I can wholeheartedly recommend if you want to find out more, including maybe one surprise!
From a Rock to a Hard Place: Memories of the 1984/85 Miners’ Strike, by Beverley Trounce
Trounce was a librarian in a mining town, and it shows. She pulls together illuminating stories from striking miners, women’s action groups, the children of miners, and Orgreave photographer John Harris, whose iconic photo of a mounted policeman came to symbolise not just the Battle of Orgreave but the Strike: ‘The cop on horseback was coming towards them, baton raised, so I click-clicked. That was it.’ Harris is also frank on the risks, from both sides, of being identified with a mistrusted media.
From a Rock to a Hard Place, Beverley Trounce (History Press, £14.99)
GB84, by David Peace
This propulsive and poetic novel is the logical extension to Peace’s ground-breaking Red Riding Quartet, recasting the Miners’ Strike as a Gothic, Yorkshire noir. Peace uses his forceful, incantatory, dub-influenced style to map webs of corruption and secret state surveillance, all threaded through with a rhythmic beat and subliminal echoes of post-punk, industrial music and the pop charts.
GB84, David Peace, (Faber and Faber, £10.99)
Backbone of the Nation: Mining Communities and the Great Strike of 1984-85, by Robert Gildea
An exceptional work of oral history, Gildea gathers dozens of intelligent and informative accounts from miners and their families from every one of the UK’s former coal fields. Together their voices build a complex picture of the strike, its impact, and historical background from a time when, astonishingly, at the coal industry’s peak in 1913, ‘one in every ten of the country’s male workers was a miner.’
Backbone of the Nation, Robert Gildea (Yale University Press, £11.99)
English Civil War Part II: Personal accounts of the 1984–85 miners’ strike, by Jeremy Deller
Published to accompany artist Jeremy Deller’s bold 2001 in-situ re-enactment of the Battle of Orgreave with a cast of hundreds of original participants and Sealed Knot societies. Deller’s richly illustrated digest of papers, clippings, photos, badges and ephemera is also worth seeking out for its many insightful accounts, including this on strike-breaking strategies: ‘Every pit had a pit idiot, so the Coal Board started with them.’
English Civil War Part II, Jeremy Deller (Artangel, second-hand price varies)
Freak Out the Squares: Life in a Band Named Pulp, by Russell Senior
Senior joined Pulp in 1983, making music on the margins of the Sheffield scene in the so-called ‘People’s Republic of South Yorkshire’ at a moment when creativity and conflict converged. His memoir evokes a time when Peel sessions, politics, flyposting pub gigs – and joining the picket lines at Orgreave – were simply part of a radical and committed daily life.
Freak Out the Squares, Russell Senior (Aurum, prices and formats vary)
Phantom at the Feast is the follow-up to White’s acclaimed 2018 novel The Fountain in the Forest. The display includes a series of completed Guardian ‘Quick Crosswords’ (Nos. 4,675–4,725) originally published in 1985, that White first completed daily as a young man in Leeds, then redid en masse thirty years later in order to use the solutions as an Oulipo-inspired lexical constraint – a ‘mandated vocabulary’ – in the writing of the novel. For Matt’s Gallery, all 51 completed crosswords used in the writing of Phantom at the Feast (Guardian days only, so no Sundays or Bank Holidays) are arranged in chronological order in a single vitrine, surrounded by their fascinating ‘bycatch’ of small ads, cartoons and random back-page content captured when printing A4 screengrabs from the British Library’s microfiche readers. As Sukhdev Sandhu writes in his Guardian review of The Fountain in the Forest, the crossword solutions ‘emerge as the collective lexical unconscious of the period.’
A second vitrine in the display contains an array of colour-coded chapter plans, timelines, diagrams, WRDKY breakdowns (‘What Rex Doesn’t Know Yet’), Post-it notes, and ephemera that went into the five-year writing of Phantom at the Feast; offering a rare insight into the process of writing what is of course a further puzzle: a police-procedural murder-mystery and whodunnit. Phantom at the Feast marks the return of White’s complex and compelling London cop Detective Sergeant Rex King of Holborn Police Station, with White once again combining police procedural and detective mystery genres with UK social history and literary games.
We’re all thrilled to have had an early review for Phantom at the Feast in 3am Magazine
This is not your average thriller, this is your exceptional experimental crime novel. For Tony White to write a sequel to The Fountain in the Forest, to merge the avant-garde with the whodunnit . . . is to rub out much of what has gone before in crime fiction . . . Phantom at the Feast – like London – is built on top of its own ghosts . . . Like all great crime novels, the truth is not a revelation, it is a gradual calcification of options and the sovereignty of facticity . . . Phantom at the Feast is a site of resistance combatting the dystopian horizon of the AI literary industry . . . Against this algorithmic flattening, the novel – and this novel in particular – stands as a site of stubborn, human friction. —Steve Finbow, 3am Magazine
My new novel Phantom at the Feast – the follow-up to The Fountain in the Forest – is published by No Exit Press on 18 June.
Here are some quotes from early readers:
‘I’m reading an advance copy right now and (no spoilers) it’s every bit as good as The Fountain in the Forest. DS Rex King of the Holborn Homicide and Serious Crime Command is at the top of his game, and so is the author. An Oulipian page-turner, and how many of those are there?’ — David Collard
‘Line of Duty meets Our Friends in the North in what reads like a collaboration between Georges Perec and Ed McBain. A fiendishly fun crime story.’ — Matt Thorne
‘Tony White always manages to find the sweet spot between stylistic innovation and genuine entertainment. Phantom at the Feast is no exception – I really REALLY enjoyed it.’ — Susan Finlay
My latest police-procedural murder mystery Phantom at the Feast (No Exit Press) marks the return of Detective Sergeant Rex King of Holborn Police Station in Central London. If you read the first novel in this series, The Fountain in the Forest, you will know that DS King is far from perfect. But go to any of the UK’s growing number of crime-fiction festivals and you’ll hear a frequent cry from writers of contemporary crime and thriller novels that, ‘It’s not Dixon of Dock Green out there anymore!’ CWA Diamond Dagger-winner Mark Billingham said something similar at London’s inaugural Bloody Barnes festival back in February. The reference is probably mystifying to anyone under the age of 60: the popular BBC police drama hasn’t been [READ MORE…]
Great fun last week filming around Royal Holloway University of London for the Royal Literary Fund — which also produced some lovely photos by Fernando Manoso, including this one in the beautiful chapel in the RHUL Founders Building.
Just received the first finished copy of Phantom at the Feast, which seemed a good reason to make a little TikTok video to share to all my socials…
ZOMG! first sight of a finished copy of Phantom at the Feast, published 18 June by No Exit Press. The return of London cop DS Rex King… I hope you enjoy it!🫡🙏✊@bedsqpublishers.bsky.social — (Check out the cover image from London photographer Chris Dorley-Brown!)#writinglife #books #detectivenovels
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