“White is our nimblest political novelist … Foxy-T toughened his linguistic resources further and moved him away from pure fixed literary shapes, again showing a resourcefulness and agility that writers from this political, republican, revolutionary imagination have always embedded. Fellow novelist Toby Litt recognized this when he cited Foxy T as one of his favourite contemporary novels. White’s writing is a deliberate disjunction from tyranny, something tougher and more disruptive than the Icarusian tones of the modern globalised style. What White is engaged in is an occult activism whereby the subconscious imagination merges the political, scientific, natural, educative and mystical through several types of process … Unlike Coleridge White hasn’t shifted from the radical ground to the conservative but finds new juice in the underground rivers of radical art streams and writing that continue to roll out like a sacred river, kind of measureless. With Tony White’s fiction there is always an engaging lightness of touch, a deft abilty to wind out stories that carry a freightload of edgy material with a beguiling ease. Missorts II is no exception to this. It steps briskly out and quickly brings the reader the sorts of pleasures that only a writer at ease with his material and form can deliver, a series of voices that can hold the geographic and historical action together without any sense of forced engagement … He’s found a way to negotiate the pitfalls of modern fiction”
Read ‘Tony White’s Sinuous Traces’, Richard Marshall’s review of Missorts Volume II in full on 3am Magazine.