Watch ‘Include Me Out…’ here

Artist Alan Phelan sent through these stills from the film ‘Include Me Out of the partisans manifesto’ that he has made of my short story ‘Include Me Out.’ Alan’s new film is on show at Limerick Gallery of Art until 22 November 2012. I hope there will be some other screenings after that. If you can’t get to Limerick you can watch ‘Include Me Out of the partisans manifesto’ here.

‘Include Me Out’ is a story (commissioned by the Irish Museum of Modern Art in Dublin) about Alan Phelan’s work, particularly a series of art works in various media entitled Fragile Absolutes, so it is more than apt that the story has now come full circle to become a part of Alan’s work, being incorporated into this same Fragile Absolutes series.

Eagle-eyed readers will know that Alan Phelan’s title Fragile Absolutes comes from Slavoj Žižek’s book The Fragile Absolute: Or, Why is the Christian Legacy Worth Fighting For? (Verso, 2009). Phelan used all of the italicized words in Žižek’s book as the basis of word association and other processes to create his new works. I then used that same stock of italicized words as a semi-mandated vocabulary to be used in the writing of my story.

Dicky Star goes to Durham

I’m reading from Dicky Star and the Garden Rule at Durham Book Festival at 11am on Saturday 27 October. As well as reading I’ll be talking to the Observer’s Peter Guttridge about The Clash busking tour, Leeds Other Paper, the real behaviour of radioactive clouds and Guardian Quick Crosswords…

Here is the blurb on Durham Book Festival site:

Dicky Star and the Garden Rule follows a young couple through the turbulent days at the end of April 1986 when the world’s worst nuclear accident occurred at the nuclear power plant in the Ukraine. In an added twist, each chapter is told using all of the answers to the Guardian Quick Crossword from that day in 1986. Join author Tony White at Durham Town Hall’s Burlison Gallery as he talks about writing this book to accompany Atomgrad (Nature Abhors a Vacuum) by artists Jane and Louise Wilson, a series of works commissioned to reflect on the 25th anniversary of the Chernobyl disaster. Tony White is the author of novels including Foxy-T and the non-fiction work Another Fool in the Balkans.

Saturday 27 October, 11am (1 hr)

Durham Town Hall (Burlison Gallery)
Market Place
Durham
DH1 3NJ
Tel: 0191 301 8494

Booking info
Tickets: £6 / £4

Book now

Near-final

I’ll be reading at the Final Academy night on Saturday 27 October, The Horse Hospital, London.

Count me in

I’m very excited to see first glimpses of a short film that the artist Alan Phelan has made from my short story ‘Include Me Out,’ which itself is about Alan’s work, having been originally commissioned to accompany his brilliant shows at the Irish Museum of Modern Art (IMMA) in Dublin, and Chapter in Cardiff. The film premieres at Limerick City Gallery of Art on 11 October. Here is the eflyer.

I’ll try and get hold of some stills and other information to share as soon as I can.

The original story is still available as a free ebook from James Bridle’s Artists’ eBooks site and on itunes. It is also available in print as part of the beautifully produced exhibition catalogue published by IMMA.

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For regularly updated information about forthcoming gigs, launches and events see my Events page — currently listing events in Manchester, Durham, London, Bristol and more…

London Author

Thanks to photographer Chris Dorley Brown for the new press shot, which comes just in time for the autumn’s gigs and launches. I’ll be updating my events page shortly…

It was great to do these pics with Chris, of course. If you don’t know Chris Dorley Brown’s work you can see quite a lot online, including these great shots of London street corners.

In addition, Chris’s seminal 2007 DVD project BBC in the East End: 1958-1973 is still available for free loan at the Whitechapel Idea Store. If you haven’t seen it, I cannot recommend highly enough that you do. Here again is Michael Bracewell’s review in Frieze. However, I’m not sure if the free publication that Michael mentions — which was beautifully designed by Johnny Bull and which includes my short prose work ‘You Are Here: An Unlicense’ — is still available.

Guardian Masterclasses and decent pizza lunches

News just in… I’m one of three writers giving a Masterclass for the Guardian newspaper on 12 September, called Reinventing Fiction. The session has been put together by fellow author Kate Pullinger. Here is the blurb:

What happens when you put text on a screen? What do the current transformations in reading, writing, and publishing, mean to us as readers, writers, and artists? The new technologies allow us to create stories that mix media with text, stories that utilize the vast potential that the new technologies give us for creating hybrid forms, and stories that find new ways to connect with readers. Showcasing a mix of new approaches, this is an exceptional opportunity to spend an evening with writers who operate at the cutting edge of where fiction meets new technology. This event will consist of a series of three presentations and a discussion with guest speakers Tim Wright and Tony White.

I talked to Kate Pullinger about some of these issues last year. You can read that interview here.

In recent years it has been striking how many creative writing classes and courses are increasingly being offered not just by Universities, but also by different parts of the publishing industry. I know that as a mid-career author I’m not the target market, but when I see some such opportunities advertised they seem almost prohibitively expensive, with unpublished writers frequently being asked to shell out hundreds or even thousands of pounds to take part. One way to look at this is perhaps to say that at last the slush pile has been monetised. Another, that the participants obviously and rightly enjoy doing them, that they get all kinds of value for their money in terms of feedback and contacts, access to publishers and agents, not to mention an audience, and precious time to write. But looking at some of these only recently I joked that I simply couldn’t afford to be an unpublished writer now.

It is almost the antithesis of a gag once offered by the novelist Stewart Home. When someone asked him what advice he might have to give the aspiring writer, he simply said, ‘Learn to eat less!’

This is why the recent short story workshops I gave in Bristol as part of my Missorts public art project — as well as the workshops I did for the Science Museum, when I was writer in residence there — were free.

In light of all this then, I’m delighted to be giving this Guardian Masterclass session with Kate Pullinger and Tim Wright in September, and doubly pleased to note that these sessions are priced more at the level of a decent pizza lunch for two than a month in a villa in Tuscany!

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Reinventing fiction with Kate Pullinger: Spend an evening with writers who operate at the cutting edge of where fiction meets new technology

Date: Wednesday 12 September
Timings: 6.30pm- 9.30pm
Location: The Guardian, 90 York Way, King’s Cross, London, N1 9GU
Maximum attendees: 100
Price: £39 (inclusive of VAT and booking fees)

Click here for speaker biogs and to book a place.

Dicky Star… at Port Eliot

Reading from my specially commissioned novella Dicky Star and the Garden Rule to the generous and attentive audience gathered at the Five Dials stage at Port Eliot was a delight. It was a great opportunity too, to talk in more detail not only about the book itself and the Chernobyl disaster, but also about the ‘interwar period’* generally, the Clash busking tour of May 1985 and the Guardian Quick Crossword.

It was too bright to project slides — even using my prized old analogue warhorse, the justly and widely celebrated Kodak Carousel of yore — so instead I had some of the images printed up to flipchart size. Here are some fab photos of the gig by Sarah Such.

There will be more Dicky Star and the Garden Rule events after the summer break. Please check my events page or your local listings for details. I like giving readings from my fiction, and try to do this as often as I can, but if — as chances are — I’m not appearing at a literary festival or event near you, don’t moan at me, moan at the organisers!

If you or they want a taster of how these readings go, here is a short video from my gig at the Free Word Centre, London.

A word of warning: I may make this look easy, but devising a readings-based set for an outdoor festival around the use of flipcharts, with the concomitant need to carry an ungainly and fragile bundle of A1 paper to and around said festival in potentially volatile weather conditions and to improvise a flipchart stand with extra-strong bulldog clips during a two-minute turnaround is dangerous and may pose risks to your long-term well-being so should not be attempted by the inexperienced writer.

You can buy Dicky Star and the Garden Rule direct from the distributor Cornerhouse.

* More about this ‘interwar period’ anon.

Dicky Star… live

Forma have just released this short clip of me reading from Dicky Star and the garden rule at the book’s launch at the Free Word Centre, London. A longer video — including more reading and some of my conversation with the accomplished and ever erudite writer and broadcaster Ken Hollings — will be released by Forma later in the year.

I’ll be reading from Dicky Star… next on the Five Dials stage at the Port Eliot festival on Sunday 22 July at 4:15. You can download a PDF of the day-by-day timetable for the festival here.

Tony White reads from Dicky Star and the garden rule at the Free Word Centre, London, 26 April 2012. From Forma Arts & Media on Vimeo.

Anywhere but nowhere

A story of mine entitled ‘The Beatification of John C. Yoo’ is published this week as part of the Resident Thinker programme for artist Alex Hartley’s Nowhereisland.

Here is what it says about the 52 Resident Thinkers on the Nowhereisland site:

From the moment the expedition team set sail to the Arctic in September 2011 until the final weekend of the Cultural Olympiad in September 2012, Nowhereisland will have a different Resident Thinker each week. Our 52 Resident Thinkers will be drawn from environmentalism to peace activism, broadcasting to stand-up comedy, sustainable farming to human rights. Each week’s letter will be the focus of live public discussion here online and you can follow previous conversations in response to previous thinkers here.

As part of all this, the poet Salena Godden and I traveled down to the Eden Project in Cornwall to read in the verdant splendour of the Eden Project’s Biotik stage. The gig was part of The Eden Sessions arts and music programme. It was great fun to share a gig with Salena of course, and the lush surroundings made this one of the more surreal venues I’ve read at over the years. Sweat dripped amidst the citrus trees and sunflowers, while above our heads swallows darted and swerved beneath the giant honeycomb structures of the geodesic dome, but the artificially stabilised climate and the raised temperature of Eden’s Mediterranean Biome were in marked contrast to the extreme weather that had been hitting much of the UK that same day, the widespread flooding caused by which was all too evident from the train the next day.

‘The Beatification of John C. Yoo’ is an extract from a larger work, which draws on research begun when I was writer in residence at the Science Museum, London, including extensive interviews with contemporary climate scientists at the Met Office Hadley Centre, Open University and the British Antarctic Survey. As such it was not written especially for Nowhereisland, but it seemed an apt contribution to what has become a wide-ranging discussion that over the past forty-three weeks — or indeed since Alex Hartley first set foot in 2004 on an uncharted island that had been exposed by a retreating glacier off the coast of Norway — has explored questions of climate change, human rights, migration and national vs international interests, policies and jurisdictions. Consequently I am delighted to see my story published for the first time in that context.

Click-through the image (left) or here to read the full text version of ‘The Beatification of John C. Yoo.’

As you will see, comments on Resident Thinker pieces are welcomed, so if you do read my piece — or indeed those of other Resident Thinkers such as artist and musician Yoko Ono, exiled journalist Forward Maisokwadzo and Eden Project co-founder Tim Smit — do please feel free to contribute to these discussions. I look forward to hearing what people think.

Here is the text of a short explanatory footnote which gives some further background to ‘The Beatification of John C. Yoo’:

This text is derived for satirical purposes from then US Assistant Deputy Attorney General John C. Yoo’s memo to the US Department of Defense of 14 March 2003, comprising an 81 page legal justification and argument for the legitimacy of US armed forces’ and secret services’ use of torture against non-US nationals during the so-called ‘war on terror.’ It was de-classified and reproduced around the world in 2008. The text above was produced by redacting around 99% of Yoo’s memo to create a series of simple anti-torture statements (in strict order of the appearance of their constituent parts in his original text and without any rewriting or insertions, this extends to capitalisations, italics, spacing and punctuation, which are all Yoo’s own) in repudiation of his own chilling argument to the contrary.

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Sharp-eyed readers will recognise that the title of this post is taken from the title of a great song. I know K.C. White’s reggae version best, but here is the original recording by Gene Chandler and Barbara Acklin from 1968.